Wednesday 9 December 2015

My Real Thing - Marketing a movie


Dear Readers,

Disney - Star Wars - Dec 16th 2015

"Countless fans around the world are in a state of vigilance waiting for the release of new poster art, new trailers and other titbits and information" said Paul DERGARABEDIAN. "it's hard to imagine any other franchise that could evoke a level of passion, enthusiasm and excitement."

How are they promoting their release??

1. Spin-Off releases:
The already announced spin-off – or “anthology film”, as they are known to Star Wars aficionados – Rogue One, which will arrive in cinemas in 2016.

That movie, directed by Gareth Edwards and staring The Theory of Everything’s Felicity Jones, will outline a rebel mission to steal the plans of the Death Star, a key plot element of the first film in 1977. Levels of interest in the rumour this week that Rogue One will also feature the reappearance of Darth Vader, the black-clad villain of the original series, only confirmed the power of Star Wars nostalgia.
Which so happened to be the same director of MONSTERS - Vertigo - this shows how he started off in a small production company and moved on to larger things!


2. Promotional characters everywhere:
We went to Birmingham Fashion Show on the 5th of December and surprisingly a storm trooper came out - we guess this is for advertisement but it was quite funny! Clever advertising!



Also on X FACTOR final - 13th December - Simon Cowell arrived on stage with STORM TROOPERS. This is promotion was a last minute excitement storm to get everyone excited for the release date 16th December. 




3. Hundreds of trailers: 
These might not even be the trailers for the movie but by naming them that they get publicity... Furthermore the official trailer got over a million views in the first 24 hours! And at the moment it reaches around a staggering 68,000,000 views!






'Star Wars: The Force Awakens' TV Spend at $66 Million and Rising


Here is my trailer for it:


4. Toy merchandise 
McDonalds is a favourite place of film companies to promote their characters - like the HAPPY MEAL always contains a toy whether it be for a movie or not, so star wars have previously used McDonalds:


Also Inside the Toy Marketing of ‘Star Wars: The Force Awakens’

Here is video that explains the toy merchandise for this coming movie:




5. Food influences:
DARTH VADER BURGER
Unfortunately, you can't get this promotion in the US, but for Star Wars fans in France the European-based fast-food chain BURGER KING has a limited edition DARTH VADER BURGER with a midnight black bu.


Also the use of star wars on packaging of other products to promote there movie, even after the release date as these were aired after the release on 18th December:



6. Incorporated into other adverts:

Tuesday 8 December 2015

My Real Thing - Case Study: Disney


Dear Readers,

This written half of my exam is split into two sections: (From the Specification).

"G322: Key Media Concepts (TV Drama)

This paper covers the two areas of Textual Analysis and Representation alongside Institutions and Audiences. In Section A, candidates answer questions on an unseen moving image extract that is then linked to some aspect of the representation within the sequence. In Section B, candidates study a specific media industry from a choice of: film, music, newspapers, radio, magazines or video games. This unit is externally examined."

This blog is focusing on Section B - where we compare two media industries in film and contrast their differences/ similarities. However the difference between the companies is that one is a big expensive funded company such as DISNEY and one is a small British film company VERTIGO.

I'm focusing on DISNEY as I'm using this big company to compare it to my smaller company.
However what is DISNEY about???

Here are 19 interesting facts about the thriving business Walt Disney built:

1. In 1929, The Walt Disney Company marked the beginning of its merchandising business by licensing a children's writing tablet bearing the image of Mickey Mouse.

2. In fiscal year 2014, consumer products generated revenue and operating income of nearly $4 billion and $1.4 billion, respectively, for the House of Mouse.

3. When mulling names for his first theme park, Walt Disney even considered "Mickey Mouse Village" before settling on Disneyland.

4. Disneyland could have just as easily been called the "Snow White Village." Disney took a massive risk producing the world's first feature-length animated movie in 1937's Snow White and the Seven Dwarfs, which required a then-enormous $1.499 million production budget. Industry sceptics called the project "Disney's Folly" before it even hit theatres.

5. Snow White turned out to be a huge commercial success, grossing over $66 million during its 1937 theatrical run before reaching $185 million with the help of rereleases in 1983, 1987, and 1993. Today, Snow White's inflation-adjusted box office total of $885 million ranks it as the 10th highest-grossing domestic movie of all time.
6. After completing Disneyland in 1955, Disney almost opened a ski resort. The site would have been near California's Sequoia National Park, was meant to accommodate as many as 20,000 skiers, and progressed so far that Disney even acquired Forest Service approval and a roads deal with the Governor of California. After Walt Disney's death in 1966, however, the company chose to instead focus on completing its ambitious Walt Disney World project, which opened in 1971.

7. Walt Disney World is still by far the company's largest resort, occupying 25,000 acres of company-owned land. That includes four theme parks (Magic Kingdom, Epcot, Hollywood Studios, and Animal Kingdom), 800 campsites on Disney's Fort Wilderness camping and recreational area, and 18 resort hotels with a total of approximately 23,000 rooms, 3,000 vacation club units, and 468,000 square feet of conference meeting space.

8. With the exceptions of 1976, 1977, and 1988, Disney has increased Magic Kingdom daily admission prices every year since it opened. Note those exceptions immediately followed the stock market crashes of 1973-1974 -- which left the U.S. in recession until mid-1975 -- and late-1987.

9. Walt Disney Studios exceeded $4 billion in calendar year box office receipts for the first time in company history on Nov. 25, 2013, thanks primarily to the $1.215 billion contribution from Iron Man 3, and $744 million from Monster's University.
10. This year, Disney reached the same milestone nine days earlier, helped by grosses of well over $700 million each from Captain America: The Winter Soldier, Maleficent, and Guardians of the Galaxy.

11. Disney's first film to exceed $1 billion in global box office receipts was Pirates of the Caribbean: Dead Man's Chest, which reached $1.066 billion in 2006. Since then, five more Disney films have eclipsed the 10-figure mark including 2010's Alice in Wonderland ($1.026 billion) and Toy Story 3 ($1.063 billion), 2011's Pirate of the Caribbean: On Stranger Tides ($1.046 billion), 2012's Marvel's The Avengers ($1.519 billion), and 2013's Iron Man 3 ($1.215 billion) and Frozen ($1.274 billion).

12. Note half of those $1billion-plus films stemmed from Disney's decisions to acquire Pixar for $7.4 billion in 2006 ($6.3 billion net of Pixar's cash), and Marvel for $4 billion in 2009.

13. To date, the 16 post-acquisition movies from Pixar and Marvel have collectively generated estimated gross profit for Disney of nearly $3.4 billion.

14. Disney hopes to duplicate that early success with its $4 billion 2012 acquisition of Star Wars and Indiana Jones creator Lucasfilm.

15. Several industry analysts have already predicted the late-2015 launch of the first film stemming from that purchase, Star Wars: Episode VII, could gross more than $2 billion worldwide.

16. As it stands, Disney's largest and most profitable segment is Media Networks, which generated fiscal year 2014 revenue of $21.2 billion, and operating income of $7.3 billion.
17. Disney's media networks not only include the Disney Channels, but also ABC Family, an 80% stake in ESPN, and 50% stakes in A&E, The History Channel, Lifetime Movie Network, The Biography Channel, H2, and three Lifetime channels.

18. The August 2013 launch of the Disney Infinity game franchise almost single-handedly turned around Disney's languishing Interactive gaming business, driving the segment to a $116 million operating profit in year 2014. Previously in year 2012 and fiscal year 2013, Disney Interactive had posted operating losses of $87 million and $216 million, respectively.

19. Disney aims to consistently return around 20% of all cash generated by the company to shareholders in the form of dividends and share repurchases.

About Star Wars: A way in which Disney globally dominates the market is through its ability to market the movie through many of its film companies. The newly released Star Wars: The Force Awakens, has been marketed since October 2012 when Disney bought “Lucasfilms” for $4billion, generating interest in this movie for over 3 years. This allows them to have both ownership of vertical and horizontal integration, which save them money, as they don’t need to outside companies to help produce a movie. Plus Disney hasn’t just bought Lucasfilms but the world known “Marvel” for $4billion and well-known company Pixar for $7.4billion all contributing to the 971 movies Disney has made. Its Lucasfilms, the company producing the Star Wars movie I studied, so how does it promote globally to consumers? Well in November 2014 it released a 90-second teaser trailer to promote The Force Awakens by screening it in selected cinemas across the United States and Canada and then in theaters worldwide in December 2014. It was also released on YouTube and in the iTunes Store generating a record 58.2million views on YouTube in its first week. This trailer was a non-verbal communication to the world that reinstated their loyalty to star wars, therefore resulting in $2billion worth of merchandise being sold in 2013/2014. However, this global empire doesn’t stop at film companies.

Another way in which Disney sells its services globally is through other platforms, such as it’s largest platform being ‘media networks’ to which its doesn’t just own Disney Channels, but also ABC Family, has an 80% stake in ESPN, and a 50% stake in A&E, The History Channel, Lifetime Movie Network, The Biography Channel, H2, and three Lifetime channels.  These generated revenue in 2014 of $21.2 billion, and operating income of $7.3 billion. Once against these networks are globally distributed with the Disney channels alone having its services used in 100 different countries.  Services include film-on-demand launched in 2008, Disney junior activity programming and short films enabled watching. Following this, Star Wars in general has generated $643,000,000 in digital sales. This could have been contributed to massively by the 83,000,000 views of its online trailer on YouTube as it’s the most viewed video plus the fastest growing viewing rate so far.

Marketing also doesn’t dominant online but offline as well. Before the release in Birmingham Fashion show received a storm trooper arrival, which helped target, it's not so demographically constructed audience as stereotypically its audience would be social gamers, comic and CGI enthusiasts, sci-fi genre lovers and action lovers. Where a fashion show audience could stereotypically consist of a girly-girl fashion-ista’s, the romance genre lovers and clothes enthusiasts. Plus once again we have storm troopers appearing on the X factor to promote it to an audience of music, fame and celebrity lovers.  Furthermore marketing has made it onto food brand packaging, such as cheesetrings, oranges and mountain dew drinks. This appeals the movie to everyone who has to buy the basic necessities like oranges, as they buy the promotion anyway therefore Star wars cleverly promotes the movie every citizen.

However that all digital marketing, what about digital and non-digital merchandising? Well furthermore not only does Disney provide services on the TV but also on other platforms. Smartphones, tablets and digital media player devices contribute to another multi-media platform called apps which including the newly released  ‘My Disney Experience’ available to worldwide users. However apps weren’t around 5 years ago so other platforms such as DVD/ VHS sold Disney products on them, which are still sold today. Plus another very important platform is video games, such as in 2010, Disney Channel ‘All Star Party’ was released for the Nintendo Wii.  However this Star Wars ideology has once again sold 138 games profiting them $3,400,000,000 worldwide.

Other merchandise for Star Wars movie I studded was 20 books and eBooks titled "Journey to Star Wars: The Force Awakens", with releases starting in late 2015, prior to the film. The series included books by Del Rey and Disney-Lucasfilm publishers and comic books from Marvel Comics that have profited them around $1,820,000,000.  However not forgetting their collectables, which are not only in the HAPPY MEAL boxes at McDonalds but the $1.5 billion pounds from hard-core adult fans with stable incomes and generations who grew up with this product, passing onto their kid are buying new character figures e.g. $150 for the new Droid, the new Hasbro companies personalized light sabers ranging from $10-$200 and much more.

Until next time...bye!

Monday 7 December 2015

My Real Thing - Case Study: Vertigo

Dear Readers,

This written half of my exam is split into two sections: (From the Specification).

"G322: Key Media Concepts (TV Drama)

This paper covers the two areas of Textual Analysis and Representation alongside Institutions and Audiences. In Section A, candidates answer questions on an unseen moving image extract that is then linked to some aspect of the representation within the sequence. In Section B, candidates study a specific media industry from a choice of: film, music, newspapers, radio, magazines or video games. This unit is externally examined."

This blog is focusing on Section B - where we compare two media industries in film and contrast their differences/ similarities. However the difference between the companies is that one is a big expensive funded company such as DISNEY and one is a small British film company VERTIGO.

I've chosen to write about VERTIGO because seeing how they market their small movies and generate publicity could be how i do the to mine!

On their website they say:

"Vertigo Films is a UK Film and Distribution company founded in 2002 by Allan Niblo and James Richardson. The following year Rupert Preston and Nick Love joined and became partners. The company’s mission is to create and distribute commercially driven independent cinema and since inception it has produced 28 films and distributed a further 35. 

The Films span a range of genres and audience taste and include the box office smash hit Streetdance 3D, the biggest independent UK DVD of all time The Football Factory, the multi award winning Monsters, Vertigo co-production Ajami (nominated for an Oscar for Best Foreign Language Film), smash hit family film Horrid Henry The Movie, audience favourite The Sweeney, and the hottest director of the moment, Nicolas Winding Refn's first English-language film, Bronson.

In 2013 Vertigo has eight films in production including Pudsey The Movie – a co-production with Simon Cowell’s company Syco, Walking on Sunshine – a feel good musical in partnership with IM Global and Monsters:The Dark Continent from hot new director Tom Green.

Championing new talent has been key to Vertigo Film’s production strategy and it continues to pride itself on being at the forefront of breaking new talent, including Tom Hardy (Bronson), Scoot McNairy (Monsters), Rupert Wyatt (The Escapist), Gareth Edwards (Monsters), Paul Andrew Williams (London to Brighton), Ben Gregor (All Stars) and Nicolas Winding Refn (Bronson).

Vertigo also owns a successful post production company in Berlin, The Post Republic and is a partner in sales company Protagonist Pictures along with Film 4 and Ingenious"


Vertigo have produced 65 films and here are some:

Their rating on two of their films:


Catch Pudsey The Dog: The Movie in Cinemas 18th July 2014

David Walliams voices Pudsey in Britain's best loved dog's debut as bone-a-fide movie star; Olivia Colman also announced...
Read More...
However from this rain we can see the minimal ratings and people I'm pressed - this could be due to the minimal funds allowed or for the minimal advertising.




Spring Breakers - Released 5 April

Brit (Benson), Candy (Hudgens), Cotty (Korine) and Faith (Gomez) have been best friends since grade school. They live together in an average college dorm and are hungry for adventure...
Read More...

the critics rating is high in comparison to the viewer this is because the actors involved are big named actors - Selena Gomez and Vanessa Hudgens.

The movie we have chosen to study is:
BILL
Vertigo Films lacks the global audience for their marking therefore resulting in a lower or no domination of the industry, however, it still manages to sell services and products to its audiences.  Following their digital marketing, overall they have only produced 28 films and distributed 35 films, yet they have helped on many larger films such as Walking on Sunshine in 2013.  However they do own a post-production company in Berlin called The Post Republic and is a partner in sales company Protagonist Pictures along with Fim4 and Ingenious. Nevertheless they only have horizontal ownership, which means they have to pay other companies to help market, produce and film the movie, losing them money, as they don’t have the resources to do it themselves. This will decrease their budget on marketing disallowing them to appear globally but keeping them in Britain.  However the film I studied was ‘Bill’ and this was released by Vertigo film in September 2015.  £1million was invested with further undisclosed amounts from BBC Films, LipSync and Screen Yorkshire. Yet Vertigo still used their budget to market the movie as well, such as producing a trailer on platforms such as YouTube that has received nearly 94,000 views considering their target audience is only very small, is quite a lot. However there are 64.1million people in Britain that’s less than 1% (641,000) people have seen the trailer.

Although the low budget movie has social networking sites such as its twitter account has 15.4K followers and its Facebook has 5,000 likes, to spread word. Plus a big marketing point is the actors have their fan base from BBC’s Horrible Histories, which stretches from 6 years olds to 30 years old.  Also its classed as a light-hearted comedy therefore it’s not look for that specific audience type but target it at anyone, which is good for low budget as they can get more views.  Also in its marketing it’s being released on DVD on marketing platforms such as Amazon where its released date is February the 15th 2016.


However as Vertigo is such as small production they don’t have the money to make merchandise, therefore Bill doesn’t have any. Therefore lacking the marketing of merchandise, which decrease fund income as well.

until next time... bye!

Wednesday 2 December 2015

My Real Thing - BARB


Dear Readers,

BARB is a company panel that records the number of views on each channel per programme - here is two videos that sum it up: (straight from the BARB website)...


Here are some of the channels that provide movies - (I chose films because its more relatable to my project)

Here the film - White Christmas has got 294000 views which is due to the correct timing of release around christmas time but also is quite low due to the number of people that have already seen the movie. 

These Films here on Film4 Have high viewings yet again people have watched some of them of the viewing can be low because of that. 

And again the views vary as people have watched some of the films, so they can be low because of that.

Until next time...

My Real Thing - About BBFC Ratings


Dear Readers,

All classification decisions are based on the BBFC’s published and regularly updated Guidelines. The Guidelines are the product of extensive public consultation, research and the accumulated experience of the BBFC over many years. They reflect current views on film, DVD and video game regulation.


Here are the BBFC age ratings split up into each rating: (Click on them for more information)

Suitable for all
Parental guidance
Cinema release suitable for 12 years and over
Video release suitable for 12 years and over
Suitable only for 15 years and over
Suitable only for adults
Adults works for licensed premises only

For my own movie:

A focus group I've used prevouisly who unanimously told me a Thriller would be the most effective genre, when I showed them mutliple different genre's of other students, also helped me establish that my audience range would be around 16plus. So the age rating on my coursework would be recommended at 15 due to the scary/ jumpy scenes that I may produce. The reason I wouldn't show to any younger viewers is the imposed nightmares and mentally scared scenes might be to much to handle and it would be unethical/unprofessional for me to allow children to watch it.

Until next time... bye!

Thursday 19 November 2015

My Real Thing - Choosing Music


Dear Readers,

So music these days are all under the copyright laws... ugh! So i needed to find some music from websites that have their music freed from the copyright laws... not illegals ones, But some such as:

http://incompetech.com/music/royalty-free/
http://www.noisetrade.com/gracefulclosure/rv
http://freemusicarchive.org

and so on... There are many!

A few songs I picked off http://incompetech.com/music/royalty-free/ were:

Scoring: Horror Themes by Kevin MacLeod
 - Awkward meeting
 - Classic horror 3
 - Fire prelude

Royalty free by Kevin MacLeod
 - Bent and Broken

Also I recorded by own jack in the box music, foxes, breathing and drumming.

I may not use all these songs but they are varied so I can adapt my music easily to my film opening.

Until next time friends...bye!



Tuesday 17 November 2015

My Real Thing - Risk Assessment


Dear Readers,

Filming is getting closer and my location and actors are set to go but before I can accomplish any of that I need to Risk Assess everything.

So here to start with is the general overview Risk Assessment:
Hazard
Persons /place who may be harmed
Risk controls already in place
Risk Assessment LOW, MODERATE, HIGH, EXTREME
Further action required to control risk
Cold weather

Actors and crew
All actors and crew to wear boots/ coats/ hats/ scarf’s  when out filming

HIGH
When not involved in the shoot, actors and crew to have the inside in which to stand
Up on the roof
Film crew
Ladders and safety requirements in place.


HIGH
Awareness to other actors and crew of film crews situation
Falling down stairs
Actors and crew
Location
Enough light available to see stairs and wash them but been left to dry.

HIGH
Local ambulance on-call ready
Knife
Actors and crew
Warnings of danger and safety precautions in place such as having lots of crew in place to act with correct first aid skills.


VERY HIGH
Local ambulance on call ready.

Is there mobile ‘phone reception in the area? - Yes
How will you keep up to date with changes in the weather? - Yes
How will you be informed in changes of weather (snow)? - Yes

How easy is it for members of the emergency services to reach you? – Easily (bit of difficulty on my road)


Here is my actor specific Risk Assessment:

Artist Name:  Lily Marshall (Child Actress)
Production Title:    ‘When Jack Comes Calling’

Production Date(s)  29/12/15
Date of Risk Assessment     17/11/15






Hazard
Persons who may be harmed
Risk controls already in place
Risk Assessment LOW, MODERATE, HIGH, EXTREME
(see table)

Missing school hours

Lily Marshall


Holiday hours and After school/ Weekends

MODERATE

Actors knocking into objects when walking


Lily Marshall


Ensure space is made around studio so actors don’t bump into things
Briefing which warns actors and crew of the danger


MODERATE

Falling down stairs

Lily Marshall

Enough light available to see stairs and wash them but been left to dry.
Local ambulance on call ready

HIGH


Artist Name:  Lori Freeborn (U18Actress)
Production Title:    ‘When Jack Comes Calling’

Production Date(s)  29/12/15
Date of Risk Assessment     17/11/15






Hazard
Persons who may be harmed
Risk controls already in place
Risk Assessment LOW, MODERATE, HIGH, EXTREME
(see table)

Weather outside

Lori Freeborn

Limited time outside and wearing clothes

MODERATE

Actors knocking into objects when walking


Lori Freeborn

Ensure space is made around studio so actors don’t bump into things
Briefing which warns actors and crew of the danger


MODERATE

Falling down stairs

Lily Marshall

Enough light available to see stairs and wash them but been left to dry.
Local ambulance on call ready

HIGH


Artist Name:  Paul Marshall (Adult Actor)
Production Title:    ‘When Jack Comes Calling’

Production Date(s)  29/12/15
Date of Risk Assessment     17/11/15






Hazard
Persons who may be harmed
Risk controls already in place
Risk Assessment LOW, MODERATE, HIGH, EXTREME
(see table)

Avoid Suffocation

Paul Marshall

Limited time in mask


HIGH

Actors knocking into objects when walking


Paul Marshall


Ensure space is made around studio so actors don’t bump into things
Briefing which warns actors and crew of the danger


MODERATE


Aware when holding the Knife


Paul Marshall


Limited use of knife and on side first aiders
Briefing which warns actors and crew of the danger


HIGH




Finally here is my contacts sheet:
Essential Contact Numbers

Emergency Services

Fire Brigade
999
Ambulance
999
Police
Thames Valley 01856841148 / 999
Our of hours veterinary surgeon
-


Persons / property

Contact name & Relationship
(if applicable)
Business Hours
Mobile
Out of hours
Child actors
Lily Marshall


Fran Marshall – Mother
Paul Marshall – Father
-
07831447801
07775666891
-
U18
Lori Freeborn




Adult Actor
Paul Marshall


07831447801

Animals
Watson (Dog)
Jake (Dog)

Fran Marshall – dog owner

-
07775666891
-
Locations
House


-
01753880193
-

  Until Next time...bye!